Karparaa (2023): A visual document on the vagaries of a...
Dipankar Sarkar provides a comprehensive review on the film Karparaa by Vignesh ...
"Hemanter Aparanha": An Unusual Film by Ashoke Viswanathan
Dr. Shoma A. Chatterji provides an interview-based review of the Bengali film HE...
MUDIT SINGHAL’S SHORT FILM YES SIR A UNIQUE PERSPECTIVE...
Dr. Shoma A. Chatterji provides a comprehensive review of the short film, "Yes S...
Assamese film 'The Last Honour' garners critical acclai...
Prantik Deka explores the profound impact of 'The Last Honour', an Assamese film...
Review : J.L. KAUL – A MAN OF ACTION
Shoma Chatterji critiques a noteworthy biographical documentary by Kashmiri film...
41 Years Of Jaane Bhi Do Yaaron : A Retro Look At A Cu...
Dr. Shoma A.Chatterji provides a comprehensive review of the film "Jaane Bhi Do ...
A crusade against drugs in society Assamese film 'Prot...
Prantik Deka writes a review on the Assamese film 'Protishruti'.
Film Review: Hanumanor Sadhu (Tale of Hanuman) - A Sati...
Film Critic "Prantik Deka" provides an insightful review on the Assamese feature...
A New Assamese Film Against the Backdrop of the Assam m...
Prantik Deka provides a thoughtful analysis of the upcoming Assamese film 'Wide ...
Dhulia Culture of Kamrup Shines at the International Sh...
Prantik Deka provides a comprehensive review on Dr Aparna Buzarbarua's documenta...
Interview with the filmmaker, Rajni Basumatary
Dipankar Sarkar talks to Rajni Basumatary, the director whose latest film 'Gorai...
Whispers of Earth and Soul: Review of ‘Abohomaan (A SAG...
Written by Indranil Gayan and directed by Arindam Barooah, the cast of Abohomaan...
Film review: MIZO SOUNDSCAPES
'Joshy Joseph's film, MIZO Soundscapes examines the relationship between the chu...
Dominic Sangma’s Rapture : A Tale of Individuals & Co...
Mumbai-based actor, creative strategist, producer & entrepreneur, Nandini Sharm...
Film Review: Pradip Kurbah’s Path (2021): An illuminat...
"It’s a personal story about a man's solitary journey during one of the most cat...
Simi Khongtiang: the emerging voice of Jaiñtia cinema i...
Parthajit Baruah writes on Simi Khongtiang, the emerging voice of Meghalaya's Ja...
Lembi Leima (2023): A tale of a brave and honest woman
'Lembi Leima is stylistically shot and edited at an even pace', writes Indian fi...
Manipuri Vaishnava Cinema: Aribam Syam Sharma's contrib...
'Laparoscopic Cinemascapes' works as not only a testimonial to Aribam Syam Sharm...
Saikhom Ratan’s “Beyond Blast”: A moving documentary on...
It is thought that humans are the only intelligent species on Earth. Despite the...
Bhakshak (2024): A genuine endeavour, lacking in dramat...
Dipankar Sarkar provides a insightful review on the movie Bhakshak by Pulkit
Film Review: 251 (2023) - Unveiling the human spirit Am...
Dipankar Sarkar provides an insightful review of Bauddhayan Mukherji's "251 (202...
ANIMAL: AN INSULT TO MEN, WOMEN AND ANIMALS
Dr. Shoma A. Chatterji delivers a critical review of the Bollywood movie "Animal...
The Last Meal (2023): The quest for an equitable society
Dipankar Sarkar provides astute analysis of Ketkee Pande's short film, The Last ...
"Papa Ko Pani Se Dar Lagta Hai" (My Father is Afraid of...
Dipankar Sarkar provides a comprehensive analysis on the hindi short film, "Papa...
MADITHATTU – IN THE LAP: AN EMOTIONALLY MOVING FILM ON...
Dr. Shoma A. Chatterji provides an interview-centered critique of the short film...