Dhulia Culture of Kamrup Shines at the International Sh...

Prantik Deka provides a comprehensive review on Dr Aparna Buzarbarua's documenta...

Chiso Ghar (Bleak House, 2023): Navigating the challeng...

Dipankar Sarkar provides a comprehensive review on the short film Chiso Ghar (Bl...

Nothing (2022): Glimpse of an untroubled existence

Dipankar Sarkar provides an insightful review on the movie Nothing (2022)

Bhakshak (2024): A genuine endeavour, lacking in dramat...

Dipankar Sarkar provides a insightful review on the movie Bhakshak by Pulkit

Film Review: 251 (2023) - Unveiling the human spirit Am...

Dipankar Sarkar provides an insightful review of Bauddhayan Mukherji's "251 (202...

ANIMAL: AN INSULT TO MEN, WOMEN AND ANIMALS

Dr. Shoma A. Chatterji delivers a critical review of the Bollywood movie "Animal...

Dhulia Culture of Kamrup Shines at the International Sh...

Prantik Deka provides a comprehensive review on Dr Aparna Buzarbarua's documenta...

Interview with the filmmaker, Rajni Basumatary

Dipankar Sarkar talks to Rajni Basumatary, the director whose latest film 'Gorai...

Whispers of Earth and Soul: Review of ‘Abohomaan (A SAG...

Written by Indranil Gayan and directed by Arindam Barooah, the cast of Abohomaan...

Film Review: NOI – A MOVING ASSAMESE FILM BY REEMA BORAH

Shoma A. Chatterji provides a comprehensive analysis of the Assamese film "Noi,"...

In Conversation with Shrutismriti Changkakoti

Dipankar Sarkar is engaging in a discussion with Shrutismriti Changkakoti, the d...

Film review: MIZO SOUNDSCAPES

'Joshy Joseph's film, MIZO Soundscapes examines the relationship between the chu...

Dominic Sangma’s Rapture : A Tale of Individuals & Co...

Mumbai-based actor, creative strategist, producer & entrepreneur, Nandini Sharm...

Film Review: Pradip Kurbah’s Path (2021): An illuminat...

"It’s a personal story about a man's solitary journey during one of the most cat...

Simi Khongtiang: the emerging voice of Jaiñtia cinema i...

Parthajit Baruah writes on Simi Khongtiang, the emerging voice of Meghalaya's Ja...

Lembi Leima (2023): A tale of a brave and honest woman

'Lembi Leima is stylistically shot and edited at an even pace', writes Indian fi...

Manipuri Vaishnava Cinema: Aribam Syam Sharma's contrib...

'Laparoscopic Cinemascapes' works as not only a testimonial to Aribam Syam Sharm...

Saikhom Ratan’s “Beyond Blast”: A moving documentary on...

It is thought that humans are the only intelligent species on Earth. Despite the...

Bhakshak (2024): A genuine endeavour, lacking in dramat...

Dipankar Sarkar provides a insightful review on the movie Bhakshak by Pulkit

Film Review: 251 (2023) - Unveiling the human spirit Am...

Dipankar Sarkar provides an insightful review of Bauddhayan Mukherji's "251 (202...

ANIMAL: AN INSULT TO MEN, WOMEN AND ANIMALS

Dr. Shoma A. Chatterji delivers a critical review of the Bollywood movie "Animal...

The Last Meal (2023): The quest for an equitable society 

Dipankar Sarkar provides astute analysis of Ketkee Pande's short film, The Last ...

"Papa Ko Pani Se Dar Lagta Hai" (My Father is Afraid of...

Dipankar Sarkar provides a comprehensive analysis on the hindi short film, "Papa...

MADITHATTU – IN THE LAP: AN EMOTIONALLY MOVING FILM ON...

Dr. Shoma A. Chatterji provides an interview-centered critique of the short film...

Interviews

Film Articles

Panorama

Film Book Reviews

Prakash Magdum's book "The Mahatma on Celluloid: A Cin...

In this critique, Parthajit Baruah , editor of North East Film Journal, provides...

Play Reviews

Play Review: NOTI BINODINI BY SMARANIK

Shoma A. Chatterji provides an insightful review of the play NATI BINODINI on th...

DASHAANAN – A SCINTILLATING PERFORMANCE BY STUDENTS OF ...

Dr. Shoma A. Chatterji provides a insightful review on DASHAANAN, a play perform...

ANDHON KA HAATHI: A POLITICAL SATIRE BY PADATIK AND RIKH

Dr. Shoma A. Chatterji offers an insightful review of the intriguing play titled...

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Assam

Dhulia Culture of Kamrup Shines at the International Sh...

Prantik Deka provides a comprehensive review on Dr Aparna Buzarbarua's documenta...

Film Reviews

Chiso Ghar (Bleak House, 2023): Navigating the challeng...

Dipankar Sarkar provides a comprehensive review on the short film Chiso Ghar (Bl...

Interviews

Interview: PRASENJIT BISWAS SETS OFF WITH AN ANTHOLOGY

Dr. Shoma A. Chatterji provides an in-depth interview with PRASENJIT BISWAS who ...

Film Reviews

Nothing (2022): Glimpse of an untroubled existence

Dipankar Sarkar provides an insightful review on the movie Nothing (2022)

Bollywood

Bhakshak (2024): A genuine endeavour, lacking in dramat...

Dipankar Sarkar provides a insightful review on the movie Bhakshak by Pulkit

Play Reviews

Play Review: NOTI BINODINI BY SMARANIK

Shoma A. Chatterji provides an insightful review of the play NATI BINODINI on th...

Bollywood

Film Review: 251 (2023) - Unveiling the human spirit Am...

Dipankar Sarkar provides an insightful review of Bauddhayan Mukherji's "251 (202...

Bollywood

ANIMAL: AN INSULT TO MEN, WOMEN AND ANIMALS

Dr. Shoma A. Chatterji delivers a critical review of the Bollywood movie "Animal...

Play Reviews

DASHAANAN – A SCINTILLATING PERFORMANCE BY STUDENTS OF ...

Dr. Shoma A. Chatterji provides a insightful review on DASHAANAN, a play perform...

Interviews

SANJOLI MALANI ON HER FILM CHAI-COFFI

Dr. Shoma A. Chatterji interviews the filmmaker Sanjoli Malani, who has made a s...

Film Reviews

Nayika (2023): A sensory celebration of dance and story...

Dipankar Sarkar provides a critical analysis of the short film "Nayika" by Shree...

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