North East Film Journal

North East Film Journal

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Member since Oct 30, 2022

KAALIDHAR LAAPATAA: A BRILLIANT CELLULOID ESSAY ON BON...

Renowned film critic Shoma A. Chatterji offers an insightful review of "Kaalidha...

Malamal Boyyyz (2025)

Parthajit Baruah reviews "Malamal Boyyyz" (2025). This is one you shouldn’t miss...

Murchana Music Academy Celebrates its Glorious Silver J...

Film critic Prantik Deka reports that Murchana Music Academy celebrated its Silv...

Interview with MILIN DUTTA, producer of FIREFLIES – JO...

Veteran Indian film critic Shoma A. Chatterji takes an insightful interview with...

A fabulous musical ballad inspired by the life of Birub...

Film critic Prantik Deka reviews Darpan Dance Akademi’s ‘Bala,’ honouring Biruba...

Kankana Chakrabarty – A Gutsy Filmmaker’s Vision in Re-...

Dr. Shoma A. Chatterji provides an interview-based critique of a short film call...

SALAAM CINEMA RETURNS AFTER TEN LONG YEARS

Film scholar Shoma A. Chatterji discusses the upcoming exhibition "Salaam Cinema...

Poster, trailer and songs of Assamese film ‘Prastawana ...

Film critic Prantik Deka writes on the release of the poster, trailer and songs ...

HARINARAYAN – A CINEMATIC TRIBUTE BY UTPAL DATTA

Indian film scholar Shoma A. Chatterji reviews the documentary, HARINARAYAN – by...

Review : GIRLS WILL BE GIRLS (2024)

Dr. Shoma A. Chatteri provides a thoughful review of the movie "Girls will be Gi...

"LAKSHYAHIRA – A BIO-DOCUMENTARY,"

Shoma A. Chatterji reviews the documentary, "LAKSHYAHIRA – A BIO-DOCUMENTARY," b...

Play Review: BADAL SARKAR’S JODI AAR EKBAR

Dr. Shoma A. Chatterji provides a thoughtful review of a Badal Sarkar play title...

Review: Pink Desire (2025)

Dipankar Sarkar provides a review of a beautiful and emotionally charged short f...

Saswata Guha writes Film Review of The Eken: Benaras e...

Shaswata Guha provides a critical and in-depth analysis of the 2025 film directe...

Review: Rains Don’t Make Us Happy Anymore (2025)

Dipankar Sarkar writes a review of Yashasvi Jiuyal's short film "Rains Don't Mak...

Saswata Guha writes "From Sal Forest to Spotlight: Aran...

Saswata Guha provides a long-form essay reflecting on the restored screening of ...