North East Film Journal

North East Film Journal

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Member since Oct 30, 2022

Vakuppu (The Clause, 2023): A Chronicle of fortuity

Dipankar Sarkar provides a comprehensive analysis on the Short Film "Vakuppu"

Parvi Barua: New face of Assamese Cinema

"From the moment I made myself acquainted with the character ‘Aditi’ I could fee...

Naam (Identity, 2023): The transformative power of empa...

Dipankar Sarkar provides a comprehensive analysis on the Short Film "Naam (Ident...

Chocolate Wrapper (2023): Shadows of Trust Amidst Explo...

Dipankar Sarkar provides a comprehensive analysis on Pawan Kamble's short film "...

LOOKING BACK ON GAUTAM GHOSE'S GUDIA (1997) THE MOST UN...

Dr. Shoma A. Chatterji provides commentary on the Gautam Ghose film "Gudia," an ...

Film Review: Giddh (The Scavenger, 2022): The Desperate...

Dipankar Sarker writes in this critical review , " Manish Saini's short film, "...

Film Review: Gulmohar (2023): The Enchantment of Unexpe...

Dipankar Sarkar provides a comprehensive analysis of the short film "Gulmohar (2...

Film Review: Yes Sir (2023): A humorous exploration o...

Dipankar Sarkar provides a comprehensive analysis of Mudit Singhal's short film ...

Last Rehearsal: A satirical dive into societal absurdities

Dipankar Sarkar offers a critique on Kamil Saif's short film, "Last Rehearsal".

50 YEARS OF NAMAK HARAM

Dr. Shoma A. Chatterji has written a captivating piece commemorating the 50th an...

Rich tributes paid to legendary Assamese artist Purusho...

Prantik Deka, a film critic, discusses the homages paid to the legendary Assames...

Film Review: NOI – A MOVING ASSAMESE FILM BY REEMA BORAH

Shoma A. Chatterji provides a comprehensive analysis of the Assamese film "Noi,"...

In Conversation with Shrutismriti Changkakoti

Dipankar Sarkar is engaging in a discussion with Shrutismriti Changkakoti, the d...

HUM LOG CELEBRATES FORTY YEARS A LOOK AT THE WOMEN IN H...

Dr. Shoma A. Chatterji writes about the 40th anniversary of India's first mega-s...

The Old Man’s Ode: A Delicate Oscillation of Emotions

Dipankar Sarkar writes, " The film has a formalistic approach and the filmmaker ...