Posts

Remembering Partho Ghosh (1949–2025)

Dipankar Sarkar pays tribute to Partho Ghosh, the filmmaker behind 100 Days and ...

"LAKSHYAHIRA – A BIO-DOCUMENTARY,"

Shoma A. Chatterji reviews the documentary, "LAKSHYAHIRA – A BIO-DOCUMENTARY," b...

Play Review: BADAL SARKAR’S JODI AAR EKBAR

Dr. Shoma A. Chatterji provides a thoughtful review of a Badal Sarkar play title...

Review: Pink Desire (2025)

Dipankar Sarkar provides a review of a beautiful and emotionally charged short f...

Saswata Guha writes Film Review of The Eken: Benaras e...

Shaswata Guha provides a critical and in-depth analysis of the 2025 film directe...

Review: Rains Don’t Make Us Happy Anymore (2025)

Dipankar Sarkar writes a review of Yashasvi Jiuyal's short film "Rains Don't Mak...

Saswata Guha writes "From Sal Forest to Spotlight: Aran...

Saswata Guha provides a long-form essay reflecting on the restored screening of ...

Review: The Bakery Shop (2025)

Dipankar Sarkar writes a review of the Assamese short film "The Bakery Shop" by ...

AMAR BOSS – BASED ON AN UNREAL PREMISE

Dr. Shoma A. Chatterji provides a deep review of the Bengali film AMAR BOSS runn...

Review : PURATAWN – THE ANCIENT

Dr. Shoma A. Chatterji provides a deep review of Puratawn – The Ancient, analyzi...

Interview: Chanakya Vyas

Dipankar Sarkar provides an interview with Chanakya Vyas on his short film Mangya.

Review: The Blue Hour Kite (2025)

Dipankar Sarkar provides a review of Chhatrapal Ninawe's short film, "The Blue H...