Posts

A fabulous musical ballad inspired by the life of Birub...

Film critic Prantik Deka reviews Darpan Dance Akademi’s ‘Bala,’ honouring Biruba...

Kankana Chakrabarty – A Gutsy Filmmaker’s Vision in Re-...

Dr. Shoma A. Chatterji provides an interview-based critique of a short film call...

SALAAM CINEMA RETURNS AFTER TEN LONG YEARS

Film scholar Shoma A. Chatterji discusses the upcoming exhibition "Salaam Cinema...

Poster, trailer and songs of Assamese film ‘Prastawana ...

Film critic Prantik Deka writes on the release of the poster, trailer and songs ...

Review: Hema (2024)

HARINARAYAN – A CINEMATIC TRIBUTE BY UTPAL DATTA

Indian film scholar Shoma A. Chatterji reviews the documentary, HARINARAYAN – by...

Review : GIRLS WILL BE GIRLS (2024)

Dr. Shoma A. Chatteri provides a thoughful review of the movie "Girls will be Gi...

Remembering Partho Ghosh (1949–2025)

Dipankar Sarkar pays tribute to Partho Ghosh, the filmmaker behind 100 Days and ...

"LAKSHYAHIRA – A BIO-DOCUMENTARY,"

Shoma A. Chatterji reviews the documentary, "LAKSHYAHIRA – A BIO-DOCUMENTARY," b...

Play Review: BADAL SARKAR’S JODI AAR EKBAR

Dr. Shoma A. Chatterji provides a thoughtful review of a Badal Sarkar play title...

Review: Pink Desire (2025)

Dipankar Sarkar provides a review of a beautiful and emotionally charged short f...

Saswata Guha writes Film Review of The Eken: Benaras e...

Shaswata Guha provides a critical and in-depth analysis of the 2025 film directe...

Review: Rains Don’t Make Us Happy Anymore (2025)

Dipankar Sarkar writes a review of Yashasvi Jiuyal's short film "Rains Don't Mak...

Saswata Guha writes "From Sal Forest to Spotlight: Aran...

Saswata Guha provides a long-form essay reflecting on the restored screening of ...