Tag: shoma a chatterji

NAANERA – A “UNKNOWN LANGUAGE” FILM FROM DEEPANKAR PRAKASH

'The film stands out and finds deep meaning mainly because of the sterling perfo...

PRATAYA SAHA - HIS JOURNEY THROUGH CINEMA AND MEIN MEHMOOD

Shoma A. Chatterji writes, 'Mein Mehmood (I Am Mehmood) is the sad story of Meh...

Film review: Manju Borah's film , In the land of Poi...

'The most challenging and toughest terrain for Manju and her team was coursing t...

Film Review: UJJHYO – A SUBTLE STATEMENT ON DOMESTIC VI...

Indranil Banerjee is a strapping young filmmaker who has honed his skills with t...

GAME ON….SEVEN FILMS ON SPORTS AND SPORTS-PERSONS at th...

A sports film needs to be extremely detailed in terms of technique and training,...

Tribute to Amitabh Bachchan: DEEWAR, BLACK, KAALA PATTHAR

Shoma A. Chatterji's critique on the AMITABH BACHCHAN tribute held during the 28...

Tide is Rising. Change is Coming. 'Nonajoler Kabbo'

Shoma A. Chatterji writes, 'The film portrays an epic clash‐of‐cultures in the c...

A TETE-A-TETE WITH SIDDHARTH CHAUHAN, DIRECTOR OF AMAR ...

Shoma A. Chatterji has an in-depth conversation with "Amar Colony" filmmaker Sid...

WHO IS PATIENCE COOPER? FILM HERITAGE FOUNDATION RESURR...

Shoma A. Chatterji writes on PATIENCE COOPER, Indian cinema's first Anglo-India...

Jhilli – Discards, Defining its Own Genre

'The first striking feature of the filmmaker is in choosing to direct his first ...

Ranjan Ghosh on his New Film 'Mahishasur Marddini'

Shoma A. Chatterji writes, 'His new film 'Mahishasur Marddini' running in the th...

A Tribute: Tabassum, Bimal Roy and Baap Beti

Shoma A. Chatterji writes, "Baap Beti unfortunately, does not have a single prin...