Film Reviews

Film Review: UJJHYO – A SUBTLE STATEMENT ON DOMESTIC VI...

Indranil Banerjee is a strapping young filmmaker who has honed his skills with t...

Reeldrama’s 'Rudraneel Uttarpurux': A traditional whodu...

Rudraneel Uttarpurux plays by the decent standards of a whodunit. It won’t surpr...

Film Review: Pradip Kurbah’s Path (2021): An illuminat...

"It’s a personal story about a man's solitary journey during one of the most cat...

Dhanjit Das' anthology film Xobdo Nixobdo Kolahol: Soul...

Film critic Dipankar Sarkar analyses the anthology film Xobdo Nixod Kolohol: Sou...

GAME ON….SEVEN FILMS ON SPORTS AND SPORTS-PERSONS at th...

A sports film needs to be extremely detailed in terms of technique and training,...

Tide is Rising. Change is Coming. 'Nonajoler Kabbo'

Shoma A. Chatterji writes, 'The film portrays an epic clash‐of‐cultures in the c...

Jhilli – Discards, Defining its Own Genre

'The first striking feature of the filmmaker is in choosing to direct his first ...

‘Shadow Assassins’: Assam’s ‘secret killings’ is relea...

Nilaanjan Reeta Datta's earlier film, 'The Head Hunter', received critical appre...

Film Review: Abhinandan Banerjee’s Manik Babur Megh: Wi...

Shoma A. Chatterji offers some insightful commentary on the new Bengali film, "M...

Saikhom Ratan’s “Beyond Blast”: A moving documentary on...

It is thought that humans are the only intelligent species on Earth. Despite the...

DOSTOJEE – A FILM ON THE INNOCENCE OF CHILDHOOD

Shoma A. Chatterji's in-depth review of Prasun Chatterjee's Bengali film Dostoje...

Film Review: Dipesh Jain’s Gali Guleiyan

Film critic Shanku Sharma remarks Dipesh Jain’s Gali Guleiyan a masterpiece

Tridib Lahon's film, Bondhu is an inclusive film about ...

The film captures the exhilaration, spontaneity, and lack of responsibility tha...

Simi Khongtiang: the emerging voice of Jaiñtia cinema i...

Parthajit Baruah writes on Simi Khongtiang, the emerging voice of Meghalaya's Ja...