Film Reviews

Film Review: Shepherds of Naar (2022): Paradise, Tradit...

"The approach of the filmmaker is formal and exhibits her ability to connect wit...

Film Review: AFWAAH – MIRROR TO TODAY’S AUDIOVISUAL JOU...

Dr. Shoma A. Chatterji writes, " 'Afwah' proves once again that the “independenc...

Film Review: Shonar Khacha (The Golden Cage, 2023): The...

Dipankar Sarkar writes, "The title of the play takes on a metaphorical resemblan...

Film Review: Stray (2022): The conflict of conscience

Dipankar Sarkar writes, " It is a film that thrives on empathy and belief, even ...

Short Film Review: Arindam Barooah’s ‘Because, I Love You’

The movie explores the value of love in relationships and emphasises its ability...

Short Film Review ‘Mukha’: A Comedy of Errors set in Ma...

The makers of the short film have displayed their potential in crafting a genuin...

Film Review: Porobhat (Of Folk and Flute, 2023): A sinc...

Dipankar Sarkar writes, " 'Porobhat' is an intimate portrayal of the inimitable ...

Film Review: DATTA AND THE CELLULOID RESURRECTION OF SA...

Dr. Shoma A. Chatterji, noted Indian film scholar and author, writes on the film...

'Ginti' (The Countdown) captivates audiences worldwide

Noted film critic Prantik Deka writes on the Hindi movie 'Ginti' (The Countdown),

Film Review: Te Ke Lau Lodna (What Are You Searching?,...

Dipankar Sarkar writes, " Te Ke Lau Lodna" subtly explores mourning, self-explor...

Film Review: Mitha Doi (Sweet Curd, 2021): A tale of a ...

Dipankar Sarkar writes, " As the story of the film proceeds, we get the impressi...

SAMARESH BASU’S PROJAPOTI : A FILM ON A BANNED WORK OF ...

"Projapoti basically, is a different kind of coming-of-age story of Sukhen (Subr...

Ripples Under the Skin: A sincere illustration of a fad...

Dipankar Sarkar reviews the short documentary, 'Ripples Under the Skin' by Farha...

Film Review: Little Wings (2022): The cruel and amiable...

Dipankar Sarkar writes that though the film ends with a ray of hope, it still le...

Film Review: ARDHANGINI: WHY SHOULD THE WOMAN ALWAYS BE...

Indian film scholar and author Dr. Shoma A. Chatterji critically writes on the ...