The Girl Who Lived in the Loo (2024): A Vivid Coming-of...
Dipankar Sarkar provides a comprehensive review on the Subarna Dash's animated s...
Film Review - ALAAP (2024) : A POST-MODERN PERSPECTIVE ...
Dr. Shoma A. Chatterji provides an insightful review on the film "Alaap (2024)"
U=Me (2024): A Tale of Bonding in Difficult Times
Dipankar Sarkar provides a comprehensive review on the Short Film "U=Me (2024)"
Anaar Daana (Sour Candy, 2024): The bittersweet essence...
Dipankar Sarkar provides an insightful review on Nishi Duggar's debut short film...
Film Review: Hanumanor Sadhu (Tale of Hanuman) - A Sati...
Film Critic "Prantik Deka" provides an insightful review on the Assamese feature...
NANDA MASTER’NKA CHATASALI A FEATURE-LENGTH DOCUMENTARY...
Dr. Shoma A Chatterji provides an interview-based review on the full-length docu...
Film Review: Hanumanor Sadhu (Tale of Hanuman) - A Sati...
Film Critic "Prantik Deka" provides an insightful review on the Assamese feature...
A New Assamese Film Against the Backdrop of the Assam m...
Prantik Deka provides a thoughtful analysis of the upcoming Assamese film 'Wide ...
Dhulia Culture of Kamrup Shines at the International Sh...
Prantik Deka provides a comprehensive review on Dr Aparna Buzarbarua's documenta...
Interview with the filmmaker, Rajni Basumatary
Dipankar Sarkar talks to Rajni Basumatary, the director whose latest film 'Gorai...
Whispers of Earth and Soul: Review of ‘Abohomaan (A SAG...
Written by Indranil Gayan and directed by Arindam Barooah, the cast of Abohomaan...
Film Review: NOI – A MOVING ASSAMESE FILM BY REEMA BORAH
Shoma A. Chatterji provides a comprehensive analysis of the Assamese film "Noi,"...
Film review: MIZO SOUNDSCAPES
'Joshy Joseph's film, MIZO Soundscapes examines the relationship between the chu...
Dominic Sangma’s Rapture : A Tale of Individuals & Co...
Mumbai-based actor, creative strategist, producer & entrepreneur, Nandini Sharm...
Film Review: Pradip Kurbah’s Path (2021): An illuminat...
"It’s a personal story about a man's solitary journey during one of the most cat...
Simi Khongtiang: the emerging voice of Jaiñtia cinema i...
Parthajit Baruah writes on Simi Khongtiang, the emerging voice of Meghalaya's Ja...
Lembi Leima (2023): A tale of a brave and honest woman
'Lembi Leima is stylistically shot and edited at an even pace', writes Indian fi...
Manipuri Vaishnava Cinema: Aribam Syam Sharma's contrib...
'Laparoscopic Cinemascapes' works as not only a testimonial to Aribam Syam Sharm...
Saikhom Ratan’s “Beyond Blast”: A moving documentary on...
It is thought that humans are the only intelligent species on Earth. Despite the...
Bhakshak (2024): A genuine endeavour, lacking in dramat...
Dipankar Sarkar provides a insightful review on the movie Bhakshak by Pulkit
Film Review: 251 (2023) - Unveiling the human spirit Am...
Dipankar Sarkar provides an insightful review of Bauddhayan Mukherji's "251 (202...
ANIMAL: AN INSULT TO MEN, WOMEN AND ANIMALS
Dr. Shoma A. Chatterji delivers a critical review of the Bollywood movie "Animal...
The Last Meal (2023): The quest for an equitable society
Dipankar Sarkar provides astute analysis of Ketkee Pande's short film, The Last ...
"Papa Ko Pani Se Dar Lagta Hai" (My Father is Afraid of...
Dipankar Sarkar provides a comprehensive analysis on the hindi short film, "Papa...
MADITHATTU – IN THE LAP: AN EMOTIONALLY MOVING FILM ON...
Dr. Shoma A. Chatterji provides an interview-centered critique of the short film...